
Harvey Danger
King James Version
London/Sire
CD Review by Reef Valmont
THIS IS
THE SUBTEXT
There's a
subtext to this review, and that subtext is
'doubt.'
If you ever
doubted Harvey Danger's ability to rock hard
in a Dostoevsky place, read on.
If you ever
doubted that Harvey Danger would rise up
magnificently from the glory-and-doom
rollercoaster ride of their first album Where Have
All The Merrymakers Gone?, again, read on. And,
more importantly, almost crux-like in it's
magnitude, if you ever
doubted Harvey Danger frontman Sean Nelson as
a shining light of something/anything/everything
you ever dreamed of in a musical mainstream
"landslide of shit" and Fred
Durst-looking motherfuckers, please please please
read on, then go beat yourself over the head with
that big green stick you keep inside the coat
closet next to your latest Urban Outfitters
jacket and that box of insecurities.
THIS IS
THE QUESTION
What do you do
if, in true John Malkovich fashion, you're a band
left in limbo due to circumstances way beyond
your control?
If you're Harvey Danger you
a) Expand your
line-up from a comfortable 4 to a shit-kicking 6
by adding a monster-man of a guitarist named Mike
Squires (ex-Nevada Bachelors) on supplemental
six-string and one John Roderick, the ex-vocalist
of Seattle's best could-have
should-have band, Western State
Hurricanes, on keyboards. That, my friends,
is what the smart people call selective
recruitment.
b) Stay close to
base playing all sorts of cover nights and unusual shows with your Pac NW musical
friends. Seattle may not be all sweetness
and light to you, in fact it may try to piss in
your mouth every chance it gets, but it's still a
home, of sorts.
c) Fine-tune the
static unreleased record you have sitting on the
shelf (due to your old record companies corporate
Murders And Executions department) into a
ridiculously realized piece of work that raises
the bar on your own worth.
d) Prepare to
vanquish doubt.
THIS IS HARVEY DANGER'S NEW RECORD
Starting off
your potential uber-backlash record with a fiery
guitar and keyboard blast about Christ, Morrissey and Kip Winger entitled
'Meetings With Remarkable Men (Show Me The
Hero)'pretty much rolls out your intent and
raises a middle finger (or six) to the waiting
hyenas. I hope there's a lyric sheet included
with 'KJV' because this is one of Nelson's finest
songs thus far, darkly funny and cuttingly
incisive all at once. "I had a lovely brunch
with Jesus Christ, " spits Nelson, "but
then he had to go and die for my sins and stick
my ass with the check."
One of the
beautiful things about Merrymakers was the way in which HD jumped from style to
style, sound to sound from one song to the next.
This ideal doesn't just repeat itself on King
James Version it takes itself to a new
level. 'Humility On The Parade' is a slowed down,
almost disjointed maudlin amble through some very
weighty Nelson lyrics that only really justifies
itself as a song in the final two minutes when
Nelson lists off all the disturbing things the
song's character represents ("I'm the
mustard on the wedding dress, a weevil in the
water cress") before launching into a
perfect life-affirming swirl of guitars and
anthemic defence.
'Why I'm Lonely'
creeps in like an intro to an old PJ Harvey
neu-swamp hate-fest, and slowly increases
intensity over the course of the song before
hitting a wall and leaving you to shake your head
clear as the organs and backing vocal 'ooh's'
turn right up and begin the soon to be legendary
intro of
.'Sad
Sweetheart Of The Rodeo,' the first single from
the album and, basically, a wonderfully driven
song with mighty hooks that swashes and buckles
in all the right places. From the sweet backing
vocals that run the gamut to the contrasting
hi-brow/lo-brow lyrics ("She took one last
gulp of his big city condescension" moves
into a whooping "Lonesome cowboy, let it
ride!") this is the sound of a band having
big fun and taking full advantage of their
position in some fragment of the mainstream eye.
(Sidenote - The video for this song stars Ione
Skye as a dirty cowgirl and, making a second
appearance in a Harveys video, a cheeky
monkey.)
Introspective
tableau is GO on 'You Miss The Point Completely I
Get The Point Exactly' with Nelson in full, er,
Nelsonesque insult mode - "You are a record
left on the dashboard, you are an ostentatious
tourist
" Don't worry, the real venom
is coming up
'Authenticity'
is a glitter-glam stomp complete with pretentious
vocal inflections and a crunching finale where
Nelson blows his top and spews lyrics about
spinning in his grave and spitting on yours over
the suddenly evil guitars of Jeff Lin. Fucking
awesome.
'(Theme From)
Carjack Fever' barrels out of the gate like a
tribute to late 80's British rock with buzzing
six-string and threatening bassline, Nelson
turning into Mark E. Smith at the climax of the
song sneering "You are an ill wind that
blows no good" with the entire band turning
into The Fall right behind him and stomping
mudholes in your pre-conceptions. Like you never
knew this band could rock, Carlotta.
Track 8, 'Pike
St./Park Slope' could have been one of the
down-tempo ballads The London Suede left off
their 'Dogmanstar' album but it is, in fact, a
depressingly delicious little number named for Seattle's hipster corridor.
Nelson's voice is high-pitched and up in the
clouds, the only accompaniment is a piano and a
cello, the mood is way way down. "Maybe we
could start a little independent repertory movie
house or something
" sings Nelson in
the chorus, voicing what could be his true secret
wish (Nelson is a HUGE movie fanatic with a
knowledge that matches his passion) to the girl
on the opposite side of the song.
Twelve tracks in
and the second chapter in Dangerdom ends with 'The Same
As Being In Love,' a deviously slow-burning sweet
downer-number that begins by staring into the
bottom of a glass and ends up throwing the fucker
against the wall. One of the finest HD moments thus far, by a
mile. The boys are back in town, but based on
this release, not for long. The world awaits
their vicious wit and love of rock detail one
more time, whether they realise it or not.
Click here for
Harvey Danger Photos
Click here to
view the Western State Hurricanes in streaming
video
Also in Pandomag.com:
It's an Election
Year and The Presidents are Back!
And
this time they're Freaked Out and
Small, in this CD review by Sal
Garro
Home
Is Where My Heart Lies
Ex-Goodness front, Carrie Akre,
talks about high school, kids in drag, Pat
Benatar, and her new album with Mollia Jensen
Whoever That
Girl is: You Rock!!!
Les Thomas reports on all the Endfest
2k action, complete with stunning
action pix!
God Smiles on
Sunny Day
Gail Worley interviews William
Goldsmith of Sunny Day Real
Estate
Is This The
Big Record for Belle &
Sebastian?
Jason Thornberry reviews Fold Your
Hands Child, You Walk Like a Peasant
Silkworm Rocks
Again
Silkworm is back with a new album, and
this time they're exploring the Lifestyle.
By Eric J.
Iannelli
|